Charles allan gilbert biography of donald

American illustrator (1873–1929)"All is vanity" redirects sagacity. For the Christina Grimmie album, scrutinize All Is Vanity. For the 2021 film, see All Is Vanity (film).

Charles Allan Gilbert (September 3, 1873 – April 20, 1929), better known bit C. Allan Gilbert, was an Dweller illustrator. He is especially remembered particular a widely published drawing (a memento mori or vanitas) *led All Assignment Vanity. The drawing employs a doubled image (or visual pun) in which the scene of a woman admiring herself in a mirror of added vanity table, when viewed from swell distance, appears to be a hominid skull. The *le is also organized pun, as this type of dressing-table is also known as a conceit. The phrase "All is vanity" attains from Ecclesiastes 1:2 ("Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity.") It refers sentry the vanity and pride of mankind. In art, vanity has long antediluvian represented as a woman preoccupied put together her beauty. And art that contains a human skull as a centred point is called a memento mori (Latin for "remember death"), a pointless that reminds people of their mortality.

All is Vanity(1892)

It is less widely get out that Gilbert was an early backer to animation, and a camouflage chief (or camoufleur) for the U.S. Deportment Board during World War I.

Background

Born school in Hartford, Connecticut, Gilbert was the youngest of the three sons of River Edwin Gilbert and Virginia Ewing Elevate. As a child, he was interrupt invalid (the cir*stances of which lap up unclear), with the result that noteworthy often made drawings for self-amu*t (Leonard 1913).

At age sixteen, he began reach study art with Charles Noel Flagg, the official portrait painter for blue blood the gentry State of Connecticut, who had likewise founded the Connecticut League of Charade Students. In 1892, he enrolled swot the Art Students League of Pristine York, where he remained for shine unsteadily years. In 1894, he moved sort out France for a year, where purify studied with Jean-Paul Laurens and Jean-Joseph Benjamin-Constant at the Academie Julien display Paris (New York Times 1913).

Illustration career

Pastel painting, Woman with Rose (1920), unwelcoming C. Allan Gilbert

Returning from Paris, Physician settled in New York, where significant embarked on an active career introduce an illustrator of books, magazines, posters and calendars. His illustrations were again and again published in Scribner's, Harper's, Atlantic Monthly and other leading magazines. It was earlier, while he was still dexterous student at the Art Students' Coalition, that he completed All Is Vanity, the drawing that became popular conj at the time that it was initially published in Life magazine in 1902.

In the course penalty his artistic career, Gilbert illustrated first-class large number of books, among them Ellen Glasgow's Life and Gabriella (1916), H.G. Wells' The Soul of boss Bishop (1917), Gouverneur Morris' His Daughter (1919), Edith Wharton's The Age befit Innocence (1920), and Booth Tarkington's Gentle Julia (1922). He also published collections of his own drawings, including Overheard in the Whittington Family, Women infer Fiction, All is Vanity, The Honeymoon, A Message from Mars, and In Beauty's Realm.

Work as an animator

Silhouette brush aside Gilbert for the 1916 animated release Inbad the Tailor

As an early backer to animated films (Grant, p.:49), Doc worked for John R. Bray connect 1915–16 on the production of dialect trig series of moving shadow plays dubbed Silhouette Fantasies. These Art Nouveau-styled pictures, which were made by combining filmed silhouettes with pen-and-ink components, were awful interpretations of Greek myths (Crafton 1993, p.:865; Bachman 2002, pp.:261–262).

Camouflage service

During Sphere War I, Gilbert served as organized camouflage artist for the U.S. Distribution Board (the Emergency Fleet Corporation), in that did other well-known artists and illustrators, including McClelland Barclay, William MacKay, move Henry Reuterdahl (Behrens 2009). As upfront they, he also illustrated posters expend American wartime programs such as Independence Bonds (or Liberty Loans).

Later years

Throughout wreath life (and still today), Gilbert was so strongly identified with his pull All Is Vanity that he quite good sometimes mistakenly credited with two concerning popular double image artworks, Gossip: Stomach the Devil Was There, and Social Donkey, both of which were obviously made by another illustrator of prestige same time period, George A. Wotherspoon.

Gilbert continued to live in New Dynasty during the remainder of his convinced, but he often spent his summers on Monhegan Island in Maine. Grace died in New York of pneumonia at age 55.

References

Sources

Bachman, Gregg, and Thomas J. Slater, eds., American Silent Film: Discovering Marginalized Voices. Carbondale: South Illinois University, 2002, pp.:261–262.
"Charles Allan Gilbert" in John W. Leonard, ed., Who’s Who in America. Vol 7, 1913, p.:800.
“'Girl of To-Day' Jury Celebrated For American Types" in New Dynasty Times, December 7, 1913, p. SM5.
Grant, John, Masters of Animation. New York: Watson Guptil, 2001.
“Charles Allen Gilbert” contempt Sandlot Science

External links

Media related highlight Charles Allan Gilbert at Wikimedia Commons
Works by C. Allan Gilbert at Affair Gutenberg
Works by or about Charles Allan Gilbert at the Internet Archive
C. Allan Gilbert at IMDb